Haubenstock-Ramati, Roman
*1919/2/27 @ PL - Krakau
†1994/3/3 @ A - Wien
|
eingebettet von last.fm |
Biographisches etc.:
- LexM / Institut für Historische Musikwissenschaft der Universität Hamburg
- Wikipedia
- polmic.pl
- culture.pl
- WBIS: 1 / 2 / 3
Werkverzeichnis(se) etc.:
| Lied | |
|
Bénédictions (Blessings) (1951/78)
[soprano (vocals)/9 instruments] | |
| Chanson populaire (1957) [tape] [Ms] | |
|
Twice for Cathy (1960) [voice/tape] [ | |
| Describe (1968?/9) [voice/piano] [UE15641] | |
|
Madrigal (1970)
[four-part mixed choir a cappella ad vierstimmiger Chor: 4S,4A,4T,4B] | |
|
Chorographie I (1971)
[3 choirs [je 4S 4A 4T 4B] a cappella, 1 choir live and 2 tapes] | |
| con (1971) [3 Chöre a cappella 1 Ch live: 4S,4A,4T,4B, 2 Tbd (Live-Elektronik ad lib.)] | |
|
Discours (unter Verwendung von 'Frame') (1972)
[Musikgrafik] [guitar/voice] | |
|
Kreise (1972)
[Musikgrafik] [voice] | |
|
La sonnambula (1972) [Musikgrafik]
[Stimme/viola da gamba - laut Paul Sacher-Stiftung: Sprecher/Gitarre/ad Viola da Gamba: oder Gitarre (Tbd und Live-Elektronik ad lib.)] | |
|
Sonans (1973) [Musikgrafik]
[vocal ensemble/tape or live electronics ad libitum] | |
| Beckett, Samuel (1906-1989) | |
|
Credentials or 'Think, Think Lucky' (1960)
[voice (speaker)/8 players] | |
|
Comédie, anti-opera in one act (1967-1969)
[3 voices/3 percussionists] s.a. Play (englische Fassung) und Spiel (deutsche Fassung) Übersetzung durch Erika und Elmar Tophoven | |
| Shakespeare, William (1564-1616) | |
|
Mobile for Shakespeare (1960)
[soprano or mezzo-soprano/6 players] | |
| Piano | |
|
Klavierstücke I (1963/5)
| |
|
Catch 1 (1968) [1 or 2 harpsichords]
| |
|
Catch 2 (1968) [1 or 2 pianos]
| |
|
Chordophonie 1, mobile (1976) [harpsichord] | |
|
Chordophonie 2, mobile (1976) [clavichord] | |
|
Pour piano (1973)
[Musikgrafik] [piano/Tbd und Live-Elektronik ad lib.] | |
|
Shapes 1 (1973) [pipe organ] | |
|
Ohne Titel (1983) [Musikgrafik] [pipe organ]
| |
|
Sonate (1983/9)
2 Fassungen | |
| Musik (1983/4) [2 pianos] [UE18725] | |
|
Mirrors/Miroirs I, mobile (1984/91)
[4 to 16 pianos] Teil 1 | |
| Mirrors/Miroirs II, mobile (1984) [8 pianos] | |
|
Mirrors/Miroirs III, mobile (1984) [6 pianos]
| |
| Piano "plus" | |
|
Concerto a tre (1973) [piano/trombone/percussion] | |
|
Shapes 2 (1973) [pipe organ/piano/harpsichord/ celesta for one, two, or four performers]
| |
|
Tenebrae (Luigi Nono in memoriam) (1985 o. 1991) [tape/piano ad lib.]
s.a. Improvisation ajoutée [Ms] | |
| Trio [Enchaîné II] (1986) [flute/oboe/piano] | |
| For Boguslaw Schaeffer (1989) [flutes/accordion/percussion/keyboard instrument/computer] | |
|
Nouvoletta I, mobile (1992) [flute/piano/percussion/cello] [Ms] | |
|
Nouvoletta II, mobile (1992) [flute/piano/percussion/cello] [Ms] | |
| Cetera | |
|
String Trio 1 'Ricercari' (1948/78)
| |
| Studie in Form (1954/9?) [Musikgrafik/Ms] | |
|
Recitativo ed aria (1954/78)
[harpsichord/orchestra] | |
|
Divertimento für Mozart (1956)
6 Papageno's Pocket-size Concerto 12 Sätze [glockenspiel/orchestra] | |
|
Notations (1956) [Harfe] 3 Strophen laut Paul Sacher-Stiftung: nur Skizzen | |
| Exergue pour une symphonie (1957) [tape] [Ms] | |
|
L'amen de verre (1957) [tape] [Ms]
| |
|
Les Symphonies de timbres (1957)
[orchestra] | |
| Passacaille (1957) [tape] [Ms] | |
|
Chants et prismes (1957/67) [orchestra]
| |
|
Artikulationen (<=1958)
| |
|
Interpolation, mobile (1958/9)
V2: [flute (one, two or three flutes or tape recordings); laut Paul Sacher-Stiftung: Besetzung nur Vibr] | |
|
Liaisons, mobile (1958)
[vibraphone/marimbaphone with 1 performer and tape or for 2 performers for vibraphone or vibraphone coupled with marimba] | |
|
Petite musique de nuit, mobile (1958)
[orchestra] | |
|
Ständchen sur le nom de Heinrich Strobel (1958)
[orchestra] entspricht 'sérénade' aus 'Petite musique de nuit' | |
|
Séquences [version 1] (1958)
[violin/orchestra] | |
|
Séquences [version 2] (1958/88)
[violin/chamber orchestra] | |
|
Décisions (1959/69/71)
[undefined sound sources] Zyklus von 10 Musikgrafiken, umfasst u.a. auch In memoriam Igor Strawinsky (1971) | |
|
Jeux 6, mobile (1960)
[6 percussionists] | |
|
Die Astronauten (<=1962)
| |
|
Jeux 4, mobile (1964-7)
[4 percussionists (speaker, actor or dancer ad lib.)] | |
|
Alone 1 (1965)
[Musikgrafik] [undefined low-pitched instrument/ percussion ad libitum] | |
|
Jeux 2, mobile (1965/8?)
[2 percussionists ad Perkussion: Tonband und Live-Elektronik ad lib.] | |
|
Multiple 1 (1965/9?)
[2 string instruments ad libitum] | |
|
Multiple 2 (1965/9?)
[3 string instruments/2 woodwind instruments/ 2 brass instruments ad libitum] | |
|
Multiple 3 (1965/9?)
[2 string instruments/2 woodwind instruments/ 2 brass instruments ad libitum] | |
|
Multiple 4 (1965/9?)
[1 woodwind instrument/ 1 brass instrument ad libitum] | |
|
Multiple 5 (1965/9?)
[1 string instrument/ 1 woodwind instrument ad libitum] | |
|
Multiple 6 (1965/9?)
[1 string instrument/ 1 brass instrument ad libitum] | |
|
Rounds (1965/1969?/1991) [Grafik]
[fl, cl(Bb), vib, pno, vla, vc] Teil v. 'A Garland for Dr. K.' (Obertitel), 11 Stücke v. - David Bedford ('A Garland for Dr. K.') - Hugh Wood ('A Garland for Dr. K.') - Pierre Boulez ('Pour le Dr. Kalmus') - Richard Rodney Bennett ('Impromptu') - Luciano Berio ('The Modification and Instrumentation of a Famous Sincere Homage to Uncle Alfred') - Cristobal Halffter ('Oda para felicitar a un amigo') - Roman Haubenstock-Ramati - Harrison Birtwhistle ('Some Petals from the Garland') - Karlheinz Stockhausen ('Für Dr. K.') - Bernard Rands ('Monotone') - Henri Pousseur ('Echos II de Votre Faust') | |
|
Psalm (1967) [orchestra]
geplante Überarbeitung nicht realisiert, vgl. aber Tableau III (1971) | |
|
Tableau III (1971) [orchestra]
Teile aus 'Psalm', 1967, ohne Tonband | |
|
Tableau I (1967) [orchestra]
| |
|
Alone 2 (1969) [Musikgrafik]
[Ensemble (Tbd und Live-Elektronik ad lib.)] | |
|
Batterie (1969/70) [Musikgrafik]
[percussion (Tonband und Live-Elektronik ad lib.)] | |
|
Ludus musicalis, twelve models (1970)
[group of young musicians/school orchestras] | |
|
Tableau II (1970) [orchestra]
| |
| Act-if (1971/3) [Musikgrafik/Ms] [ensemble] | |
|
Konstellationen (1971)
[Musikgrafik/mixed media, 25 sheets of graphic score (auch als Dias erhältlich)] | |
| Multiple 7 (1971) [trumpet/cello] | |
|
Duo (1972) [Musikgrafik]
[guitar/percussion (Tbd und Live-Elektronik ad lib.)] | |
|
Frame (1972) [Musikgrafik]
[Gitarre solo o. Gitarre/Violoncello/Kontrabass] | |
| Kammermusik (1972) [orchestra] | |
|
Poetics I für James Joyce. The Moon Is Still Blue (1972) [Musikgrafik/Ms] [ensemble] | |
|
Poetics II für James Joyce. Speload Mc (1971/2) [Musikgrafik/Ms] [ensemble] | |
|
Solo (1972) [Musikgrafik/Ms] [for any string instrument] | |
|
Hexachord (1973) [one or two guitars]
1 2 | |
|
String quartet 1 (1973)
a: Version 'Mobile' b: Version 'Stabile' | |
|
Musik für 12 Instrumente (1973/4)
[fl/ob/cl/fg-h/tr/tb/?-2vl/vla/vc/db = 1/1/1/1-1/1/1/0-1/1/1/1/1 <>? 1111/1110/str4t] | |
|
Sonata (1973) [vc] | |
|
Concerto per archi (1975)
[string orchestra] | |
|
Endless for seven performers (1975) [fl/tbn/perc(2)/hp/pno-hpsd/vc]
| |
|
String quartet 2 (1977)
in memoriam Christl Zimmerl (Primaballerina der Wr. Staatsoper) 1 Bittersüß, "wienerisch" 2 Ziemlich rasch 3 Kanon I 4 Violente 5 Kanon II 6 "Valse triste" | |
|
Symphonien (1977) [orchestra] [ | |
|
Polyphonien (1978) [one-two orchestras or orchestra with tape accompaniment]
| |
|
Self I (1978) [(o. bass-) clarinet]
| |
|
Self II (1978) [alto saxophone/live electronics] [ | |
|
Song (1978) [percussion o. Live-Elektronik ad lib.]
| |
|
Ulysses. Scenen einer Wanderung, ballet – twelve tableaus (1978/9) [tape solo]
| |
|
Nocturnes I (1981) [orchestra]
| |
|
Nocturnes II (1982) [orchestra]
| |
|
Cantando for six performers (1984)
[fl, perc, hp, cel, pno, vc] | |
| Schlossbergmusik (1984) [sound installation] [Ms] | |
|
Enchaîné (1985) [saxophone quartet]
| |
|
Für Kandinsky (1985/7/9)
[flute/oboe/clarinet] | |
|
Nocturnes III (1985) [orchestra]
| |
|
String trio 2 (1985) [vl/vla/vc]
| |
| Sottovoce (1986) [chamber orchestra] | |
|
Imaginaire (1986-8) [orchestra]
| |
|
Zeichen für S.B. (1987) [Musikgrafik/Ms]
[Soli/Zupforchester] | |
|
Beaubourg musique (1988) [orchestra]
| |
|
Cathédrale I (1988) [harp solo]
| |
|
Cathédrale II, mobile (1988)
[2, 3, 4, 8 o. 16 harps] | |
|
Extensions (1988) [1 o. 2 marimbas]
| |
|
Deux Préludes (1989) [guitar] [UE18960]
| |
|
Invocations (1990) [chamber orchestra]
| |
| Adagio I (1991) [tape] | |
|
Adagio II (1991) [saxophone/tape/Live-Elektronik ad lib.] [Ms] | |
| Morendo (1991) [tape] [Ms] | |
|
Morendo II (1991) [flute/tape] [Ms]
| |
|
Pluriel (1991), mobile [UE19983]
1 [2 violins/viola/cello] 2 [violin/viola/cello] 3 [violin/viola] 4 [violin/cello] 5 [viola/cello] | |
|
Nouvoletta III, mobile (1992) [flute/harp/percussion/celesta] [Ms] | |
|
Nouvoletta IV, mobile (1992) [flute/percussion/cello/celesta] [Ms] | |
|
Nouvoletta V, mobile (1992) [flute/cello/percussion] [Ms] | |
|
Nouvoletta VI, mobile (1992) [flute/percussion/celesta] [Ms] | |
|
Nouvoletta VII, mobile (1992) [cello/percussion/celesta] [Ms] | |
|
Equilibre (1993)
[chamber ensemble: Bass(o. Alt)flöte/ (o. Bass)Klarinette/3 Perkussion/ Harfe/Klavier/Celesta (o. Cembalo)/Violine/Violoncello] | |
|
Polyphonien (1993) [2, 3 or 4 chamber orchestra]
| |
| Jelinek, Elfriede (*1946) | |
|
Unruhiges Wohnen. Ballett (1991/2) [tape]
| |
|
Unruhiges Wohnen (1991/2) (Version für den Rundfunk) | |
| Kafka, Franz (1883-1924) | |
| Brod, Max (1884-1968) | |
|
Amerika. Oper in zwei Teilen (1962/4)
nach dem gleichnamigen Roman von Franz Kafka, Libretto von Roman Haubenstock-Ramati nach der Bühnenbearbeitung von Max Brod | |
|
Prosa-Texte (1962)
bearbeitet zwei Abschnitte aus der Oper "Amerika" 1 Die Ankunft 2 Hotel Occidental [version 1] [four reciting choirs] [version 2] [two reciting choirs and tape] [version 3] [reciting choir and tape] | |
|
Vermutungen über ein dunkles Haus
(1962-3) [3 orchestras, 2 of which pre-recorded] drei Abschnitte (laut Paul Sacher-Stiftung: Bearbeitung) aus der Oper 'Amerika', vgl.a. 'Symphonie K' (1967) | |
|
Symphonie 'K'
(1967) [orchestra] Reduktionsfassung der 'Vermutungen über ein dunkles Haus', 1962/1963 | |
| Platon (428/7-348/7 vuZ) | |
|
Divertimento (1968)
[actors, dancers, and [or] mimes, 2 percussionists, tape or live electronics ad libitum] composer's text collage after Plato and others | |
s.a.
- viaf.org: 2656296
- dnb.de: 119088037
- dnb.de
-
worldcat.org: lccn-n81016928
np-haubenstock%20romati,%20roman - worldcat.org
- musicaustria.at
- universaledition.com
- ariadne-verlag.com
- musicsalesclassical.com
- schott-music.com
- klassika.info
- naxosworks.com
- zinfonia.com
- musicalics.com
- sheetmusicplus.com
- discogs.com
Audios
Aufführungen
Begegnungen
συμβιώσεις / symvióseis
Roman Haubenstock-Ramati
bei den Berliner Philharmonikern
Wir danken Frau Katja Vobiller,
Stiftung Berliner Philharmoniker
,
sehr herzlich für die Zurverfügungstellung (2017/08/02).
-
1966/08/27
Hans Drewanz
Klavier: Walter Hautzig
Divertimento für Mozart — 5 Exzerpte
Einem: Introduktion — Wandlungen
L. Berio: Variationen
Roman Haubenstock-Ramati: Papagenos Pocket-Size Concerto
G. Klebe: Espressioni liriche
H. W. Henze: Finale
Wolfgang Amadeus Mozart: Klavierkonzert c-Moll KV 491
Johannes Brahms: Symphonie Nr. 3
